From product photos to 3D models
Each digitized textile was mapped to the upholstery form of an individual piece, with overall views and close-ups showing the relationship between weave, color and furniture design. The selection ranged from the HAY Quilton sofa by Doshi Levien and the Muuto Doze Lounge Chair to designs by Arper, Pedrali, Blå Station, DesignByThem, Artifort, Cassina and Fritz Hansen — models built for visualization, not as engineering data for manufacturing.
Weave and stitching in close-up
A fabric reads differently on a straight backrest than on a curved cushion. Using PBR materials and adjusted texture coordinates, we developed the weave, fiber detail and response to light for each piece — close-ups show, for example, the fabric structure on the Arper Aston Club and the decorative stitching of the Cassina Utrecht.
Minimal interiors that keep the textile in focus
The restrained interiors draw attention to form and material. Architecture and accessories recede, while lighting brings out the weave on the upholstery — furniture by Fredericia Furniture, Haworth and Wekino shares a consistent visual setting while retaining its individual character.
Motion and a lookbook
Short animated GIF sequences accompanied the high-resolution renderings, with forward and backward movements changing the view of the furniture and its surfaces. The project gallery also fed a lookbook and social media posts — and connects to our work on Kvadrat's Waves acoustic curtains, which explores how textiles define a space in a different way.